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    To say the eight-member hip-hop-alt-country-rock band the

    VilleBillies

    are busy these days would be a drastic understatement, especially for two of the band’s most prolific members, Demi Demaree and Dustin “Tuck” Tucker, who are also in the midst of debuting and promoting their new hip-hop project called

    BassDrumAliens

    .

    As for their self-proclaimed mothership of all projects, the VilleBillies are heating up once again after a two-year stint with a new album titled Appetite For Dysfunction (due out this summer) along with a few high-profile shows recently announced. The first will come Derby-eve on Friday, May 6th at

    The Vernon Club

    , and also the following Friday, May 13th, where they’ll be kicking off the Paddock Concert Series at

    Churchill Downs

    . At the Derby, on Saturday, May 7th, the VilleBillies will have a booth in the infield where they’ll be passing out free tickets to the May 13th show in the Paddock inside Churchill Downs. No plans yet confirmed on whether they’ll be hitting the road for a tour to celebrate the release for Appetite for Dysfunction.


    VilleBillies on the red carpet for Churchill Downs' opening night

    'Talk To Me' is the album’s first single, and was debuted during their

    HullabaLou performance

    last summer, along with a video that followed shortly thereafter. If you haven’t yet seen the song’s video, it will more than likely leave you scratching your head once you do.

    “The song is a dark song. It’s not happy like it sounds,” Tuck commented on the subject of 'Talk To Me.'

    Demi also added, “It goes through the emotions of love, from the most beautiful purest piece of it, to the darker side of it.”

    Aside from the VilleBillies, other members of the band are also involved with a number of side projects like BassDrumAliens, Plan of Man, Gentlemen Hounds, Million Dollar Records, and Melted Clock Studios. Melted Clock Studios is a video production company that shoots and produces music videos for artists - including all the VilleBillies’ own music videos - along with a number of comedy skits that both Demi and Tuck are sometimes featured in. Just google “Melted Clock Studios” and let yourself be entertained.

    As for what’s next for the VilleBillies, the focus right now is for the band to concentrate on finishing and releasing Appetite for Dysfunction this summer.

    “We just have a lot of fun with this stuff, you know? Anyway we can be creative is what we’re going to do. We’re not stuck to one thing,” Demi commented on the band’s various side projects. “There is just so much creativity in us, and so many goals, and so many things we want to accomplish that if we weren’t working on new stuff, then we’d be depressed.

    Tuck went on to say, “I’m happy where I’m at right now because I can make, record, and listen to my own music. If I couldn’t do that, then I’d be really depressed. All the other stuff is just bonuses. But I’m not going to lie. I’d really like to take it to that next level.”

    **Please note this video was recorded prior to a recent venue change announced for the Derby-eve show on Friday, May 6th. 

    The VilleBillies / Actual People / Elephant Room 

    Friday, May 6th 

    The Vernon Club
    1575 Story Ave.

    8 pm 


    All Ages
    $8

    ** Jason Ashcraft is a freelance music writer who focuses on Kentucky's original music scene. Visit his blog at LouisvilleScuttlebutt.com or you scan this QR code on your smart phone to view the mobile site:

    Jason Ashcraft's picture

    About Jason Ashcraft

    Jason is a life-long Louisville native who grew up in the Highlands, and now resides in an undisclosed fortified location somewhere in Louisville. He's followed Louisville's rock music scene for almost 10 years, first as a concert promoter, then an artist manager, and now a music critic and reviewer. He's one crazy Jarhead who'll literally publish anything his mind conceives on impulse, so don't always expect him to follow the traditional laws of journalism. He has intent of reviving Hunter S. Thompson's “gonzo journalism” if only his editors will allow it...which they don't usually.

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