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    Queen of melancholy Lucinda Williams will perform at the Brown Theatre on Tuesday, April 24.


     



    Alan Messer Photo


     

    It was 1998’s Car Wheels on a Gravel Roadthat rocketed Lucinda Williams into the mainstream. She had been making records for nearly 20 years before she released that album, but what alt-country aficionados appreciated from titles such as Happy Woman Blues (1980) and Lucinda Williams (1988) failed to achieve liftoff on the folk-country music charts. Car Wheels, however, was impossible to ignore. The lyrics in songs such as “Right in Time” (“Not a day goes by I don’t think about you / You left your mark on me / It’s permanent — a tattoo”) and the title track (“Child in the backseat about four or five years / Lookin’ out the window, little bit of dirt mixed with tears”) were as if Williams left her personal journal wide open for all to read. Not to mention that her weathered and at times downright twangy voice was irresistible.


    Williams boasts that same style and knack for storytelling on West, her newest album, which was released in February. On April 24 she’ll play the Brown Theatre with the musicians she used on West, so, although she’ll surely play her older hits, expect a heavy dose of the new stuff. That’s fantastic news, though, because some of these tracks beg to be performed live, with the crowd on its feet hollering along. On “Come On,” Williams, quite devastatingly, tells her “dude” that he can’t, well, please her: “You think you’re in hot demand, but you don’t know where to put your hand … You didn’t even make me,” pause, “Come on!” And on the fiery, nine-minute-long “Wrap My Head Around That,” she reaches the verge of rapping: “And what I thought you thought I thought was actually in your head.”


    Williams also tackles serious subject matter fueled by lyrics written after her mother died (“Mama You Sweet,” “Fancy Funeral”), which is the kind of material that helped establish her devoted fan base in the beginning. There’s also the darkly sensual “Unsuffer Me” and “Learning How to Live,” which could be about her mother, a recent tumultuous and ill-fated romantic relationship or something else entirely: “I’ll make the most of what you left me with,” she sings. “I’m learning how to live without you in my life.”


    Is West a better album than Car Wheels? That may be something Williams never accomplishes. One thing, however, is certain. It takes a special artist to sound this good singing about bees making honey in Birmingham.


    Showtime Tuesday, April 24, is 7:30 p.m. at the Brown Theatre, and tickets cost $35. Call 584-7777 for information.  

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