Where do you draw the line between good and evil? Unlike the Berlin Wall the moral dividing line is not solid and does not rely on armed guards to keep it firm. For Dale Grimshaw in his new show 'Heart In Darkness' these moral ambiguities take shape in a dazzling range of works that touch on dark emotions and physical energy.
There is a bold confidence about the new work for the show, picking up on the strengths of his recent hugely successful solo show, 'Echoes And Exorcisms'. Having been championed by many urban art collectors during that show and compared favorably with other successful artists on the scene, this new show will be further evidence of the depth of talent that Dale has to give.
Indeed Dale is an excellent example of a new phenomenon on the urban art scene. For lack of a better description, this group could be called 'crossover' artists. Their winning formula is to mix fine art aesthetics into the more purely street/stencil art scene. They are producing a dynamic body of work that is both approachable and challenging, cutting across the 'traditional' art scene with its 'critical' establishment led agenda and moving away from the 'concept' driven practices. Their work is belatedly recognized now as a valid and important element in the wider art acene and highly collectable. As well as Dale, the artists who are making waves in this are are Anthony Micallef, Adam Neate, Matt Small, Jose Parle, Guy Denning and Conor Harrington.
Technically Dale has found the use of spray paint in addition to his usual acrylic and oils has enabled him to capture the movement and energy of his dynamic figure more effectively. This technique has emphasized his links to street art and has enabled him to successfully participate in a number of street art events over the summer, where people have been fascinated to see how his works come to life. Indeed whenever a new 'Grimshaw' image is revealed now, the reaction is always incredibly positive and very often 'I want to own one'!
