Maserati:
Formed at the edge of the new millennium, Maserati is as sleek, sexy and sophisticated as the legendary Italian sports car it takes its name from. It is fitting, then, that the band has dragged the glory years of psychedelic arena rock kicking and screaming into the 21st Century, with the pomposity (and vocals) carefully removed. In its place are white hot flashes of light pulsing to an unstoppable rhythm that makes us want to punch air and drive really fast in a car with wings instead of doors.

Seluah:
In 2002, Seluah’s debut EP launched a mystery rife with ethereal melodies and dub rhythms, allotting them a singular trippy space in Louisville’s well-documented music scene. LEO Weekly hailed it as “one of the best records to ever come out of Louisville” and Ear X-tacy called it “a psych-dub masterpiece.” In March 2011, Seluah again partnered with Kevin Ratterman (My Morning Jacket, Young Widows, The Broken Spurs) at The Funeral Home to record “Red Parole,” an epic, dark, guitar-laden record with a massive bass and drum sound. The bulk of the album reflects an early ’70s mammoth guitar aesthetic, both fuzzed out and sweetly melodic, punctuated by mesmerizing vocals that glide over each track. Most of the material was performed when Seluah opened for TV On The Radio in fall 2011. Red Parole is a heavy, noirish guitar album and comes with a mandate to be played loudly …